Illuminati’s Control over Hollywood Film Industry: National Treasure (2004) and Angels and Demons (2009), a Case Study
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Date
2016-09
Authors
Journal Title
Journal ISSN
Volume Title
Publisher
University Mouloud Mammeri of Tizi-Ouzou
Abstract
This dissertation deals with Illuminati in Hollywood Cinema. Through the analysis of movies
produced by Hollywood, we show how the latter represents the Illuminati in its movies, and
render it well-known. This work relies on Theodor Adorno and Max Horkheimer’s Culture
Industry: Enlightenment as a Mass Deception (1944), which studies how media dominate the
human being. Culture Industry makes visible how the advertisements, movies and cartoons
become tools to help in the development of secret societies, since these tools are the most
viewed by people , and this is the easiest way to achieve their dominance. We have also used
Sigmund Freud’s The Psychoanalytic Theory of Personality as a supporting theory. Our work
consists of two chapters. The first chapter is composed of two sections; the first one is about
the Illuminati and Masonic symbols used in Hollywood Studios, and the second is about the
explanation of the Illuminati symbols. The second chapter deals with the representation of
Illuminati in the two selected movies. This chapter analyzes John Turtelataub’s The National
Treasure (2004), a movie produced by Walt Disney Studios, and Ron Howard’s movie Angels
and Demons (2009), produced by Sony Pictures Studios , a movie adapted from Dan Brown’s
novel which has the same title. As a conclusion, it is found that the Illuminati as a powerful
secret society uses the famous Hollywood Industry to manipulate and control humanity, so
that they can reach their goal that is the New World Order.
Description
46p.:ill;30cm.(+cd)
Keywords
Secret societies, Freemasonry, Illuminati, Signs, Hollywood, Film Industry, Culture Industry, Consumerism, Manipulation, Puppets, Mind Control Brainwashing, the New World Order. iii
Citation
Langues et Culture des Pays Anglophones et Media.